Under the guise of improvement or substitutes, commodities are manufactured creating artificial embellishments and representations that project an utopian romantic misunderstanding of nature. Constructed landscapes such as theme parks, zoos, or parks impersonate natural environments and convince consumers with their impacting fantastical tactics. This process is the cultural embodiment of entropy (a dispersing and disordering of useful energy that eventually leads to a stale homogenized mass of matter.) Matter cannot be created or destroyed, so what seems unnatural is truly entropic constructions with untraceable natural originals. By generating copies, institutions sell an unnatural homogenized collage of a disjunctive cultural ideal of nature. My work exploits the same materials and strategies of hyperreal landscapes and exaggerates the entropic process of their construction.